Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.
