Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A recording session for BBC Radio Scotland under the M74 ‘Ski Jump’ extension ramp, a secion of motorway that doesn’t go anywhere, one of several such structures that populate the motorway system in the centre of Glasgow.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.
Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.
N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
For day three of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Nancy Nevárez.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
