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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Robin Hayward sits whilst playing a tuba with a ball of sand at the horn
15 February 2008
The Arches

Self Cancellation – Sand

Robin Hayward

Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.

INSTAL 08
Tim Goldie wearing sunglasses and hat holds his hands over his ears, tongue out
12 November 2010
Tramway

Tim Goldie

Tim Goldie

Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.

INSTAL 10
Silhouette of a person in front of a blue background overlaid with blurry light
24 November 2019
Tramway

Something Said

Jay Bernard

Haunted by the archive of the New Cross Fire, Jay Bernard presents a film and poetry reading that undertakes a queer exploration of black British history, reconstructed from archives and apparent debris.

Episode 10: A Means Without End
Packing tubes stand on their ends. two blurred figures are sitting in the back
12 November 2010
Tramway

The Borders Play Sunno(((

Christian Kesten Lucio Capece

Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.

INSTAL 10
Terre Thaemlitz lies on the ground, next to a motorcycle, posing provocatively
25 May 2013
Tramway

Soulnessless – Cantos I-IV

Terre Thaemlitz

An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…

Episode 5: Hidden in Plain Sight
A performer with a small parrot on his finger, props on the floor
18 April 2015
Tramway

No Ready Made Men – Open Rehearsal

Ueinzz

Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.

Episode 7: We Can’t Live Without Our Lives
Arika_ASIAPOL_Whitney2012_CraigDworkin_VanessaPlace_Photo_BMcIntyre-3
2 May 2012
Whitney Museum of American Art

A Handbook of Protocols for Literary Listening

Craig Dworkin Vanessa Place

Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.

A survey is a process of listening
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
Eli Clare standing on a stage, arms outstretched
14 April 2019
Performance Space New York

Eli Clare

Eli Clare

Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.

I wanna be with you everywhere
twelve rectangular images projected on a long screen
10 October 2008
DCA

After Leonardo

Keith Rowe Malcolm Le Grice

A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.

Kill Your Timid Notion 08
A B&W image of two people silhouetted as they sit at a table
18 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

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