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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka at MLFC 07
12 May 2007
The Sage Gateshead

Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka

Kan Mikami Masayoshi Urabe Toshiaki Ishizuka

HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.

Music Lover’s Field Companion 07
Ascension: Paul Hession & Stefan Jaworzyn backstage at MLFC
12 May 2007
The Sage Gateshead

Ascension

Paul Hession Stefan Jaworzyn

A recently reanimated Ascension, with mighty Leeds drum hero Paul Hession bringing a dense polyrhythmic torrent into play with Jaworzyn’s reinvigorated piercing guitar.

Music Lover’s Field Companion 07
A member of Ueinzz wears a blue head wrap and looks out to sea
21 November 2019
Tramway

Mobedique Hors Acvé

Ueinzz

A community of those without community, for a community to come. A schizo-scenic video-collage of the disturbing ‘normality’ of Moby Dick.

Episode 10: A Means Without End
Storyboard P and Project X dancing on stage
18 November 2017
Tramway

Speech Captions Body Language

Storyboard P

In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…

Episode 9: Other Worlds Already Exist
Joan La Barbara sings mouth open, eyes closed, hand up
21 March 2009
The Arches

Joan La Barbara

Joan La Barbara

Joan La Barbara presents works exploring the colour spectrum of a single pitch resonating in her skull, an evocation of bird song and circular singing.

INSTAL 09
A dark room and Tone is performing at a laptop.
4 May 2012
Whitney Museum of American Art

Paramedia

Yasunao Tone

A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.

A survey is a process of listening
15 November 2024
Glasgow School of Art

Glasgow School of Art Friday Event

Beatriz Santiago Muñoz

Beatriz will explore her thinking, on film as translation, plural subjectivity or land-based militancy. Discussion will centre around her work Oriana and its companion piece Oenanthe, which will be screened in full.

Episode 11: To End the World As We Know It
Ayreen Anastas seated at a kitchen table in the evening
21 January 2012
CCA

Ayreen Anastas & Rene Gabri

Ayreen Anastas Rene Gabri

An open-ended moment in an ongoing series of films, notes, performances, diagrams and drawings which trace the questions they share. A “porous space between cinema time-space and lived time-space.”

Episode 1: A Film is a Statement
Ryoji Ikeda operating a laptop surrounded by amplifiers
23 November 2003
The Arches

CCI Sound System

Ryoji Ikeda

CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps

INSTAL 03
Ikuro Takahashi & Yoko Muronoi standing by a wall
12 May 2007
The Sage Gateshead

Anoyonodekigoto

Ikuro Takahashi Yoko Muronoi

A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.

Music Lover’s Field Companion 07
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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