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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Arika_Instal08_BryonyMcIntyre_TM - Incapacitants 467
15 February 2008
Stereo

Incapacitants

Incapacitants Junko Kazuo Imai

Ecstatic, scalding and ludicrously heavy, nobody matches Incapacitants for live noise energy. One of the most exhilarating live acts in underground music.

INSTAL 08
A layers image of several frames from a video by R. Kelly
28 February 2010
DCA

Film Programme 5: Catalogues

Various Artists

Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.

Kill Your Timid Notion 10
Diamanda Galas singing at a piano on stage at MLFC 07
11 May 2007
The Sage Gateshead

Diamanda Galás

Diamanda Galás

Solo performance by Diamanda Galás one of the great artists of the last forty years. Hers is an emotional expressionism of demonic shrieks, operatic falsettos, glottal clicks and diabolical growls.

Music Lover’s Field Companion 07
18 – 21 November 2024
ATLAS Arts

Karrabing at ATLAS Arts

Karrabing Film Collective

As part of Karrabing’s visit to Scotland, the collective will be hosted for three days in the Isle of Skye by The School of Plural Futures.

Episode 11: To End the World As We Know It
Vanessa Place listening while Mark Sanders talks
13 November 2010
Tramway

Consequences and complicities of conceptualism

Mark Sanders Vanessa Place

Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”

INSTAL 10
A large white circular form hovers in the mid distance at the end of a long room
11 October 2008
DCA

L’Anticoncept

Gil Wolman

60 minutes of hard ass minimal film, projected onto a weather balloon and accompanied by the inspired poetic rant of a visionary Frenchman.

Kill Your Timid Notion 08
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
Bhob Rainey, Jason Lescalleet & Greg Kelley backstage at INSTAL 06
13 October 2006
The Arches

Nmperign + Jason Lescalleet

Jason Lescalleet Nmperign

Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.

INSTAL 06
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
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