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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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The Museum of Non Participation written on a wall in English and Arabic
20 January 2012
CCA

The Museum of Non-Participation

Brad Butler Karen Mirza Nabil Ahmed

This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?

Episode 1: A Film is a Statement
Four musicians play some sitting on the floor, a recorder player stands
22 March 2009
The Arches

Free-form hook up

Ben Knight Hannah Ellul Neil Davidson

Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.

INSTAL 09
Leah stands, gazing upwards in white horn-rimmed spectacles
11 April 2019
Performance Space New York

Solo Performances

Leah Lakshmi Piepzna-Samarasinha

Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.

I wanna be with you everywhere
A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
Instal 03 publicity flyer
23 November 2003
The Arches

INSTAL 03

INSTAL’s third outing saw performances by AMM, Cosmos (Sachiko M & Ami Yoshida), Voreboms, Vibracathedral Orchestra with Matthew Bower and John Godbert, Paragon Ensemble, Merzbow and Ryoji Ikeda.

Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
13 October 2006
The Arches

Infest – Jazzfinger

Jazzfinger

Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.

INSTAL 06
Tetsuo Kogawa peers at several small radios as he manipulates the aerial of one
21 March 2009
The Arches

Tetsuo Kogawa

Tetsuo Kogawa

Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.

INSTAL 09
A flowering bush next to a fence in front of a clear blue sky
11 December 2004
DCA

Film Programme 3: Place

Various Artists Benedict Drew

Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.

Kill Your Timid Notion 04
A circle of chairs facing inwards
14 November 2010
Tramway

The Echo Project

Brandon LaBelle

The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.

INSTAL 10
A pink and mauve background with black text reads The Poetics of Abolition
10 August 2020
Online

Poetry is Not a Luxury: The Poetics of Abolition

Canisia Lubrin Christina Sharpe Nat Raha Saidiya Hartman Nydia A. Swaby

A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”

Revolution is not a one-time event
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