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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (712)

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Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
Tamio Shiraishi approaches an audience among grasses and concrete forms
12 July 2007
A concrete walkway ending in mid air

Shadowed Spaces Newcastle

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.

Shadowed Spaces
Three slashes of colour in a black film frame, blues, pinks, reds
19 February 2006
DCA

Film Programme 3: Retro

Various Artists

Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.

Kill Your Timid Notion 06
An abstract pattern against a black background
17 February 2006
DCA

Christmas Tree Stand

Bruce McClure

A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.

Kill Your Timid Notion 06
Two abstract images merge. Earth coloured circles. Traces of particle decay.
24 November 2019
Tramway

The utterly in common, or bodies of colour in the flesh

James Goodwin Nisha Ramayya

“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.

Episode 10: A Means Without End
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
A member of Ueinzz wears a blue head wrap and looks out to sea
21 November 2019
Tramway

Mobedique Hors Acvé

Ueinzz

A community of those without community, for a community to come. A schizo-scenic video-collage of the disturbing ‘normality’ of Moby Dick.

Episode 10: A Means Without End
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
Sondra Perry stands on ladder in front of screen with multiple layered images
23 October 2016
Tramway

Lineage for a Multiple-Monitor Work-station

Sondra Perry

A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.

Episode 8: Refuse Powers’ Grasp
12 October 2005
The Universal

Stalled at Universal – FRU

Fordell Research Unit

Edinburgh. Beer and smoke befuddled drone/ deadly efforts by Pjorn72 kingpin.

INSTAL 05
text reading Decriminalised Futures on a colourful banner on a blue and purple background
31 August 2019 – 1 April 2023

Decriminalised Futures

Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.

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