
Usurper
Usurper
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
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This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
An improvisation that may or may not involve (typical) improvisation.
Chip’s written some of the greatest of all Sci-Fi and Fantasy—page turning character driven diamond-hard novels and short stories: each a lens that refracts our real-life struggles and desires.
Acting at the minimum. Each film here substitutes one small thing for another, (ironically) transforming received meanings by the simplest of actions; often kind of funny too.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
We’ll look more at psycho-emotional health – exploring experiences as opposed to diagnoses. And exploring collective care and collective healing.
Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
A performance for projectionist, musicians and audience, which plays with references to Oscar Levant and Gershwin: apparently a series of small doses of chaos.
A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.