
My Cat Is An Alien
My Cat Is An Alien
Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.
A recently reanimated Ascension, with mighty Leeds drum hero Paul Hession bringing a dense polyrhythmic torrent into play with Jaworzyn’s reinvigorated piercing guitar.
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.
This trans-exclusive workshop, co-facilitated by River McAskill, River Molloy and Zinzi Buchanan, offers body-focused exercises and creative practices for a trans-exclusive space, situated within the present local and global climate. We will bring an array of offerings related to the question: how can we take care of ourselves and one another, when we can’t trust state systems to take care of us? Come as you are and bring anything that adds to your comfort.
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise