Shutter Interface
Paul Sharits
Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.
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Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
A community of those without community, for a community to come. A schizo-scenic video-collage of the disturbing ‘normality’ of Moby Dick.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.
Percussion used to explore the social construction of space