Resistance Renewed: Art / S*x / Work / Activism
Chaoying Rao
A whistle stop tour of visual and material culture that has anchored the sex workers rights movement through the decades until today.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A whistle stop tour of visual and material culture that has anchored the sex workers rights movement through the decades until today.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
Slowly evolving ultra-subtle harmonics and multi-tracked, otherworldly drones that only reveal their true power at high volume.
A 101 panel on sex work in Scotland, hosted by Scotland for Decrim and National Ugly Mugs
A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.
A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.