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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Tony conrad bowing a violin in the foreground, Keiji Haino singing behind
14 October 2006
The Arches

Keiji Haino & Tony Conrad

Keiji Haino Tony Conrad

Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.

INSTAL 06
Eddie George & Dhanveer sit next to each other facing an audience
22 November 2019
Tramway

The Strangeness of Dub

Dhanveer Brar Edward George

Dub is strange. A conversation with Edward George and Dhanveer Brar.

Episode 10: A Means Without End
Maryanne Amacher operating a mixing console, wearing glasses
15 October 2006
The Arches

Maryanne Amacher

Maryanne Amacher

A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.

INSTAL 06
Large white and red forms projected near a man operating another projector
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

La Cellule d’Intervention Metamkine

Metamkine

Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers

Kill Your Timid Notion on Tour
: Leanne Betasamosake Simpson has long brown hair, wearing a denim shirt with a camouflage jacket on top. Behind them is are tall reed like plants and red tree branches to the foreground.
13 November 2024
Glasgow School of Art

I am not a nation-state

Leanne Betasamosake Simpson Nat Raha

One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.

Episode 11: To End the World As We Know It
12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Howard Slater is in conversation at a table with Barry Esson in a black room
21 April 2013
Tramway

Listener as Operator

Howard Slater

Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.

Episode 4: Freedom is a Constant Struggle
By blacklight in front of a yellow wall two silhouetted people perform
14 February 2008
The old public library in Easterhouse

Personal Space

Blood Stereo

Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.

INSTAL 08
diagonal design half yellow half black with the text 'Uninstal' across each half
8 – 16 May 2010
Tramway

UNINSTAL

UNINSTAL was a set of events at Tramway that tested out radical ideas with leading local and international artists. A collection of events (performances, films, installations, walks and talks) about sound and listening.

A projected quotation about wandering in hollows and dark thoughts
26 February 2012
Tramway

All the Colours of the Dark, Except Black

Evan Calder Williams

A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.

Episode 2: A Special Form of Darkness
A person in a flesh coloured catsuit, bends into a crab shape
24 May 2013
Tramway

(M)IMOSA | Twenty Looks or Paris is Burning at The Judson Church (M)

Cecilia Bengolea François Chaignaud Marlene Monteiro Freitas Trajal Harrell

What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?

Episode 5: Hidden in Plain Sight
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
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