 
#untitled lipsync 2
boychild
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
 
Guy Sherwin gives a kind of annotated, chat through his optical sound films
 
Looking at and listening to different ideas about sound and music, INSTAL 09’s collection of artists included Tetsuo Kogawa, vocalist Joan La Barbara, Phil Minton (and his Century FC feral choir), Austrian Actionist Hermann Nitsch, Steve McCaffery and many more.
 
Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.
 
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
 
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
 
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.
 
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
 
Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.
Screening of films by Duvet Brothers, David Critchley, David Hall, John Latham, Judith Goddard, Mike Leggett, Tony Sinden
 
Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.