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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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A 16mm film in has detailed instructions printed on its lid
22 February 2010
DCA

Urban Peasants

Ken Jacobs

Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.

Kill Your Timid Notion 10
Thuja performing among tree branches at DCA Dundee
10 December 2004
DCA

Thuja & Keith Evans

Keith Evans Thuja

Thuja specialise in a unique and abstract folk music, a devoutly organic tapestry deeply rooted in the sway and bow of nature.

Kill Your Timid Notion 04
Junko, Ikuro Takahashi & JO JO Hiroshige performing at MLFC 07
13 May 2007
The Sage Gateshead

Junko, Ikuro Takahashi & JO JO Hiroshige

Ikuro Takahashi JO JO Hiroshige Junko

Three iconic figures from the Japanese underground assembled as a trio to stand in for the advertised duo of Junko and Jerome Noetinger who was unable to attend the festival due to illness.

Music Lover’s Field Companion 07
Miss Major waves regally from an open top car at a Pride parade, she is surrounded by other Pride marchers with banners and placards.
13 March 2022
Online

Chosen Kin: Making Our Loyalties

Mai’a Williams Miss Major Claricia Revlon

How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?

Mutual Aid
Kai Faguchinski and Klaus Filip performing at MLFC on clarinet and laptop
12 May 2007
The Sage Gateshead

Los Glissandinos

Kai Fagaschinski Klaus Filip

Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.

Music Lover’s Field Companion 07
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
Robin Hayward sits whilst playing a tuba with a ball of sand at the horn
15 February 2008
The Arches

Self Cancellation – Sand

Robin Hayward

Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.

INSTAL 08
arika_ep7_IMG_4931
17 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

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