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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Beams of light fanning out across an audience from different directions
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.

Kill Your Timid Notion on Tour
silver and brown design like 16mm film strips with text - Kill Your Timid Notion
9 October – 29 November 2008
DCA

Kill Your Timid Notion 08

Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.

22 March 2009
The Arches

Sean Meehan & Taku Unami

Sean Meehan Taku Unami

Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.

INSTAL 09
Three performers stand next to each other whilst singing and using their voices
21 March 2009
The Arches

Free-form hook up

Aileen Campbell Dylan Nyoukis Phil Minton

GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival

INSTAL 09
helloagain
15 April 2007
DCA

Film Programme 4: Beyond Image

Various Artists

Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.

Kill Your Timid Notion 07
A man in garden looks at the screen - "We're here among ourselves…"
16 April 2015
Tramway

Every Little Thing

Dir. Nicolas Philibert

Documentary of La Borde clinic in France and its radical politics of experimentation, in which residents and staff reciprocate in a kind of entanglement, an opening up amongst themselves.

Episode 7: We Can’t Live Without Our Lives
A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
Two photos of women in 40's costume sat at an old desk
4 May 2012
Whitney Museum of American Art

Comrades of Time

Andrea Geyer

Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.

A survey is a process of listening
A female lying on a bed smiling as someone sits next to her
19 April 2015
Tramway

Ode to 1 & under

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
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