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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
A circle of light from a projector circles audience members
12 December 2004
DCA

Sachiko M & Anthony McCall

Anthony McCall Sachiko M

Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery

Kill Your Timid Notion 04
Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Bhob Rainey, Jason Lescalleet & Greg Kelley backstage at INSTAL 06
13 October 2006
The Arches

Nmperign + Jason Lescalleet

Jason Lescalleet Nmperign

Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.

INSTAL 06
at the end of a dark gallery a screen throbs with layers rectangles of red
12 October 2008
DCA

Declarative Mode (1976 – 1977)

Paul Sharits

Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.

Kill Your Timid Notion 08
A rectangle of red light, one of green light and a beam of white light
13 April 2007
DCA

Wave Formations

William Raban

Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.

Kill Your Timid Notion 07
Multiple versions of several mythical looking characters look up at the camera
19 October 2003
DCA

Invasion of Thunderbolt Pagoda

Ira Cohen

Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.

Kill Your Timid Notion 03
A man in garden looks at the screen - "We're here among ourselves…"
16 April 2015
Tramway

Every Little Thing

Dir. Nicolas Philibert

Documentary of La Borde clinic in France and its radical politics of experimentation, in which residents and staff reciprocate in a kind of entanglement, an opening up amongst themselves.

Episode 7: We Can’t Live Without Our Lives
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