Steffen Basho-Junghans
Steffen Basho-Junghans
Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
A kind of an informal overview of INSTAL.
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A 101 panel on sex work in Scotland, hosted by National Ugly Mugs, Sex Workers Union, Scotland for Decrim (Decrim Now) host
A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?