
Ten Years Alive on the Infinite Plane
Angharad Davies Mark Wastell Nikos Veliotis Tony Conrad
A trance inducing, flickering investigation of structural and minimalist droning from one of the key thinkers in sound and image over the last 50 years
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A trance inducing, flickering investigation of structural and minimalist droning from one of the key thinkers in sound and image over the last 50 years
For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Four intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
A performance by Storyboard P – one of the greatest Afrofuturist dancers on the planet.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.