Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.
Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Discussion with David Keenan: an author, critic and musician based in Glasgow, Scotland. He is best known for the reviews and features he has contributed to The Wire.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
