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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Oshiri Penpenz singer lit from above at INSTAL 06
13 October 2006
The Arches

Oshiri Penpenz

Oshiri Penpenz

No Wave, damaged garage jams and crazed instant vocal shrieks.

INSTAL 06
Projection of LIGHT MUSIC by Liz Rhodes in DCA Dundee
19 February 2006
DCA

Expanded Cinema: LIGHT MUSIC

Lis Rhodes

Light Music is a dizzying celebration of the pivotal nature of sound in film; a direct and powerful transcription of film as sound.

Kill Your Timid Notion 06
Cardboard boxes suspended in bunches from cords
15 May 2010
Tramway

Inferno Quiz Show

Taku Unami

Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.

UNINSTAL
Projection of a pink and gold form above a man operating another projector
12 December 2004
DCA

La Cellule d’Intervention Metamkine

Metamkine

Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.

Kill Your Timid Notion 04
Masayoshi Urabe portrait in black and white
17 October 2004
The Arches

Masayoshi Urabe

Masayoshi Urabe

Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.

INSTAL 04
Henri Chopin on stage smiling and operating a tape recorder
16 October 2005
The Arches

Henri Chopin

Henri Chopin

Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.

INSTAL 05
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
A B&W image of two people silhouetted as they sit at a table
18 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

Jarrod planting seeds in little cardboard plant pots, with a pink watering can
28 February 2010
DCA

Jarrod Fowler

Jarrod Fowler

What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?

Kill Your Timid Notion 10
ARIKA_NO_TOTAL_2015_BM_IMG_0040
28 May 2015
Artists Space Books & Talks

No Total

Amalle Dublon Arias Abbruzzi Davis Constantina Zavitsanos Emma Hedditch Jordan Lord Morgan Bassichis

Three days of discussions, performances, actions, dancing and food – continuing No Total’s ongoing contemplation of ways of being together and the ways Arika have been entangled in those, ever since Episode 4.

Dancer dressed in white, reaching, stretching back, legs and arms outstretched
13 April 2019
Performance Space New York

Nearly Sighted/unearthing the dark

Kayla Hamilton

Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.

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