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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
Image with the words: Music Electronica
9 December 2001
The Arches

Musica Electronica

Musica Electronica

A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.

INSTAL 01
Angharad Davies, Tisha Mukarji, Andrea Neuman performing at MLFC 07
12 May 2007
The Sage Gateshead

Angharad Davies, Tisha Mukarji, Andrea Neuman

Andrea Neuman Angharad Davies Tisha Mukarji

Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.

Music Lover’s Field Companion 07
Strips of 16mm laid horizontally to show red and yellow flares of light
12 October 2008
DCA

Film Programme: Feedback

John Butcher Luis Recoder Paul Sharits Various Artists Toshiya Tsunoda

The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.

Kill Your Timid Notion 08
Eddie Prevost and John Tilbury against projection of a large red bus
10 December 2004
DCA

AMM & Malcolm Le Grice

Malcolm Le Grice AMM

One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades

Kill Your Timid Notion 04
Keiji Haino talking to Alan Cummings
21 May 2005
The Sage Gateshead

The Secret of Music – discussion

Alan Cummings Keiji Haino

Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.

Music Lover’s Field Companion 05
A B and W film still of several people crossing a street in 1960's london
14 April 2007
DCA

Film Programme 2: Humans

Ken Jacobs Various Artists John Smith

Includes: street portraits of kids in 1930’s Dakota, a mysterious foggy pilgrimage, a swarm of time-lapsed consumers, a stereoscopic analysis of mill life, up close and personal in a Lighting Bolt mosh pit.

Kill Your Timid Notion 07
two white whales made of paper perch on a low coffee table
21 November 2019
Tramway

In the Sign of Jonah: Around Moby-Dick

Laura Harris Fernando Zalamea

“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James

Episode 10: A Means Without End
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