The Echo Project
Brandon LaBelle
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
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The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.