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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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13 March 2022
Online

Support Not Separation

Ubuntu Women Shelter Legal Action for Women Recovering Justice

How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.

Mutual Aid
22 March 2009
The Arches

Sean Meehan & Taku Unami

Sean Meehan Taku Unami

Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.

INSTAL 09
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
14 October 2006
The Arches

Infest – Red Kites

Red Kites

Brother and sister stumble over the early morning horizon in a spectral haze of emotionally devastating lunar vocals and oblique, lithium-soaked folk.

INSTAL 06
Dawn Kasper in a yellow jacket and bare legs moves equipment
25 February 2012
Tramway

Become What You Are

Dawn Kasper

Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.

Episode 2: A Special Form of Darkness
boychild raises hands to the air open palm toward ceiling, head tilted upwards
23 November 2019
Tramway

Untitled Hand Dance

boychild

“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild

Episode 10: A Means Without End
Ingar Zach & Rhodri Davies on stage at INSTAL 05
16 October 2005
The Arches

Ingar Zach & Rhodri Davies

Ingar Zach Rhodri Davies

Minimal details and otherworldly glistening drones, rich with sustained metallic timbres that breathe with the scrapped pulse of bowed metal.

INSTAL 05
A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
Two speakers on stage surrounded by audience and red cushions
19 November 2017
Tramway

Discourse or Intercourse: Group Action

Maxine Meighan Robert Softley Gale

How do people living with disability see themselves in today’s sexualised culture? How do we imagine our crip sexual selves despite society wanting to reduce us to non-erotic bodies?

Episode 9: Other Worlds Already Exist
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
A 40ish mixed race Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair, lying on a couch looking at the viewer horizontally. They have rose gold aviator frames, thick eyebrows, red lipstick and sand colored skin, and are looking at the viewer with a kind of tired but hopefully crip wonder. They wear a blue denim vest with a pin that says Neurodivergent Universe above a pink and blue image of a ringed planet, and a black tank top with yellow lettering that read Talk To Plants, Not Cops is barely visible. They have a tattoo of the words "We begin by listening" in magenta cursive script on their left arm.
21 June 2023

Altar: Odes to the Lost/ never lost with ASL Centered Hang

Leah Lakshmi Piepzna-Samarasinha

Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.

 

I wanna be with you everywhere 2023
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