
Dance Workshop
Glasgow Open Dance School Miss Prissy
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
A kind of an informal overview of INSTAL.
Complex ways of understanding our complex times. Maths & Poetics. Gesture & Physics. Collectivist Struggle & Desire. 5 days of performances, discussions, screenings and study sessions.
I wanna be with you everywhere was a gathering of, by, and for disabled artists and writers and anyone who wanted to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.
A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.