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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
Rolf Julius leans forward over a large white box and mixer and performs
22 March 2009
The Arches

Music for a Long Time

Rolf Julius

Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.

INSTAL 09
Nat Raha speaks into a microphone while she reads
24 November 2019
Tramway

apparitions

Nat Raha

Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.

Episode 10: A Means Without End
A medium close up of the thick trunk and roots of a mangrove tree
16 April 2015
Tramway

Assemblages

Dir: Maurizio Lazzarato & Angela Melitopoulos

A filmic constellation exploring Felix Guattari’s anti-patriarchal, anti-colonialist, anti-psychiatric, animist ideas of care and the self. And an Introduction to the Episode.

Episode 7: We Can’t Live Without Our Lives
Peter Evans backstage at MLFC 07
11 May 2007
The Sage Gateshead

Peter Evans

Peter Evans

A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.

Music Lover’s Field Companion 07
My Cat Is An Alien at MLFC 05 Gateshead
21 May 2005
The Sage Gateshead

My Cat Is An Alien

My Cat Is An Alien

Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.

Music Lover’s Field Companion 05
Tetsuya Umeda operating a machine next to an audience
15 October 2006
The Arches

Tetsuya Umeda

Tetsuya Umeda

Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.

INSTAL 06
James Whitehead standing by a blackboard
16 May 2010
Tramway

JILAT

JLIAT / James Whitehead

UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.

UNINSTAL
From a flat roof top, a pigeon flys to the right. on the roof are metal canisters weighted with brick, metal poles and frames and wires. In the distance we see the blurred outline of a city located in a dry desert like landscape.
17 November 2024
Tramway Live Stream

Toward Nakba as a Planetary Process

Anti-Denialist Museum of Palestine Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Amirah Silmi Françoise Vergès Additional Contributors

An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.

Episode 11: To End the World As We Know It
Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
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