 
Dance Workshop
Glasgow Open Dance School Miss Prissy
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
 
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
 
A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.
 
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
 
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
 
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
 
An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours
 
Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.
 
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
 
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
 
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
 
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.