Self Cancellation – Removal Service / Transition Hide and Seek
Sarah Washington
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
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Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.
Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.