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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
A small room with a table with white paper on it and several green chairs
6 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red

For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.

A survey is a process of listening
Beams of light fanning out from the right in bands of green and white
15 April 2007
DCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.

Kill Your Timid Notion 07
Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Charlemagne Palestine seated at two pianos surrounded by soft toys
21 May 2005

The Golden Mean

Charlemagne Palestine

An extravagant debauch of huge pianos, plush toys, cognac and ritual.

Music Lover’s Field Companion 05
Angharad and Rhodri performing in St Giles in the Fields on violin and harp
18 October 2005
St Giles in the Fields, London

St Giles in the Fields, London 05

Angharad Davies Jandek Rauhan Orkesteri Rhodri Davies

Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.

Northern Sinfonia performing Radu Malfatti at MLFC 07
12 May 2007
The Sage Gateshead

Gateshead 21

Northern Sinfonia Radu Malfatti

We commissioned Radu Malfatti to write a new piece for the 21-piece string section of the Northern Sinfonia: Music striving to discover the exact point at which sound resonates the clearest amidst long drawn out silences.

Music Lover’s Field Companion 07
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Hannah Proctor stands on stage in front of a lectern delivering their performed reading. Behind Hannah is a project image of a crowd in a smoke filled city street, giving the impression of a conflict or war environment.
13 November 2024
Tramway Live Stream

Four Endings to Begin

Masa Nazzal River MacAskill Hannah Proctor Gracie Mae Bradley Joel White

Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.

Episode 11: To End the World As We Know It
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