Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
A programme of discontinuity between narration, text and image. Including Manual Saiz’s employment of John Malkovich’s Spanish dubbing double and Peter Rose’s absurdly hilarious concrete poetry subtitling chaos.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
A parody of a (Manhattan) road movie and meditation on bifurcation, in paths traveled between the seen and the heard; a road trip played over and over from different perspectives.
A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”
Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).