To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.