16 May 2010
FACT
Craig Dworkin
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
UNINSTAL
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Strickland Distribution and Ultra-red give a practical sound workshop bringing together walk participants to discuss the issues raised during the walk
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
John Mullarkey sets in a wider context our understanding of Alain Badiou and Francois Laruelle, two of the most radical philosophers in Europe today.
Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.
With Taku we’ll carry out some simple proposals for doing almost nothing, for re-thinking sound with whatever comes to hand.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Three (thankfully short) chats wherein we try and get at what’s eating us with regards to experimental music, and what we think might be worth salvaging.