Tabula Smaragdina
Jürgen Reble Thomas Köner
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
A kind of an informal overview of INSTAL.
A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.