
Sea Oak
Emily Wardill
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
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A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.
Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
A series of reality dramas happening over the course of the weekend.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)