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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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a figure bathed in red writhes as they perform with a red light in their mouth
24 May 2013
Stereo

Hidden in Plain Sight: Club

boychild DJ Sprinkles Vjuan Allure Pony Zion

The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.

Episode 5: Hidden in Plain Sight
A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
23 November 2019
Tramway

Discussion on Mathopoetics

Fred Moten Fernando Zalamea

A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.

Episode 10: A Means Without End
A metallic form projected on a wall
14 April 2007
DCA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.

Kill Your Timid Notion 07
Robin Hayward and Radu Malfatti play brass instruments at the far end of a room
16 February 2008
The Arches

Wandelweiser

Antoine Beuger Manfred Werder Radu Malfatti

Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.

INSTAL 08
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
A B and W film still of several people crossing a street in 1960's london
14 April 2007
DCA

Film Programme 2: Humans

Ken Jacobs Various Artists John Smith

Includes: street portraits of kids in 1930’s Dakota, a mysterious foggy pilgrimage, a swarm of time-lapsed consumers, a stereoscopic analysis of mill life, up close and personal in a Lighting Bolt mosh pit.

Kill Your Timid Notion 07
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
Carston Nicolai standing over a mixing desk
1 December 2002
The Arches

alva.noto

alva.noto

Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video

INSTAL 02
Carsten Nicolai operating some equipment near a projection
17 October 2003
DCA

Alva.Noto

Carsten Nicolai alva.noto

60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves

Kill Your Timid Notion 03
A projector running in a dark room
26 February 2010

Sea Oak

Emily Wardill

A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.

Kill Your Timid Notion 10
A cutting from the New York Times, showing a man in a blue jumper
21 January 2012
CCA

Argument

Andrew Tyndall Anthony McCall

Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.

Episode 1: A Film is a Statement
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