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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Hannah Proctor stands on stage in front of a lectern delivering their performed reading. Behind Hannah is a project image of a crowd in a smoke filled city street, giving the impression of a conflict or war environment.
13 November 2024
Tramway Live Stream

Four Endings to Begin

Masa Nazzal River MacAskill Hannah Proctor Gracie Mae Bradley Joel White

Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.

Episode 11: To End the World As We Know It
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
A design with a yellow background featuring a bottle of Chubz poppers
19 November 2017
Tramway

Chubz

Huw Lemmey

Politicised fan-fiction chronicling working class gay urban space and fantasy.

Episode 9: Other Worlds Already Exist
A performer with a small parrot on his finger, props on the floor
18 April 2015
Tramway

No Ready Made Men – Open Rehearsal

Ueinzz

Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.

Episode 7: We Can’t Live Without Our Lives
Four musicians play some sitting on the floor, a recorder player stands
22 March 2009
The Arches

Free-form hook up

Ben Knight Hannah Ellul Neil Davidson

Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.

INSTAL 09
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
KUCHENGA, Jackie Wang, and Nat Raha seated in discussion on red cushions
18 November 2017
Tramway

Future Justice in the Present

Jackie Wang KUCHENGA Nat Raha

Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?

Episode 9: Other Worlds Already Exist
Burkhard Stangl silhouetted against a projection of an eye
19 October 2003
DCA

Phonographics, Live

Burkhard Stangl Fennesz Gustav Deutsch Martin Siewert Werner Dafeldecker

A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.

Kill Your Timid Notion 03
Yellow swirls on red: Still from Matt Hulse Film: See Noise Hear Light - Friday
13 October 2006
The Arches

See Noise Hear Light Friday

Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan

Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
Ann Cvetkovich gesticulates as she stands and talks by a flipchart
26 May 2013
Tramway

An Archive of Feelings

Ann Cvetkovich

The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.

Episode 5: Hidden in Plain Sight
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