
The Experiment: Pt. 1
Amiri Baraka Fred Moten Wadada Leo Smith Sonia Sanchez
What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
Emotional fantasies, towers of cakes, identity troubles, collapsed distance and time and Samuel R. Delany’s rarely seen 1971 film The Orchid.