
Why improvised music is so boring
Diego Chamy Jean-Luc Guionnet Seijiro Murayama
An improvisation that may or may not involve (typical) improvisation.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An improvisation that may or may not involve (typical) improvisation.
A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.
Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
What would a world and an ethics look like free from the destructive consequences of the Western mind?
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.