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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (701)

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Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
Heads of musicians silhouetted against a film projected on a wall
11 December 2004
DCA

Tower Recordings

Tower Recordings

The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.

Kill Your Timid Notion 04
Three men operating electronic equipment. Fraser is in yellow on the floor
22 March 2009
The Arches

Free-form hook up

Grant Smith Jean-Philippe Gross Fraser Burnett

Droner responsible for Fordell Research Unit, Muscletusk’s murk manipulator and Metzian concrete-mixer cement international relations and yr heids.

INSTAL 09
Eddie Prevost and John Tilbury against projection of a large red bus
10 December 2004
DCA

AMM & Malcolm Le Grice

Malcolm Le Grice AMM

One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades

Kill Your Timid Notion 04
An abstract texture against a black background
18 February 2006
DCA

Sandra Gibson, Luis Recoder & Daniel Menche

Luis Recoder Sandra Gibson Daniel Menche

A collaborative performance where sound and image are created, performed and mediated by light, water and glass.

Kill Your Timid Notion 06
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
A group of people each holding a sheet of paper walk around each other
5 May 2012
Whitney Museum of American Art

In Passing

Brandon LaBelle

A silent performance of (musical) reverberation.

A survey is a process of listening
A panel of four folks sit as one wearing a dark jacket and specs speaks
18 April 2014
The New School

Literary Reflections of Ballroom

Various Artists

A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.

Master Ballstar Weekend
An actor playing a reporter at a trial sits in front of a drawered wall
23 March 2012
Tramway

Criminal Case 40/61: Reverb

Andrea Geyer

A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt

Episode 3: Copying without Copying
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
Several frames of different saturated colours of a horse in motion
12 December 2004
DCA

Film Programme 6: Perception

Malcolm Le Grice Paul Sharits Various Artists

Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.

Kill Your Timid Notion 04
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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