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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Makoto Kawabata playing electric guitar in front of a projection
19 October 2003
DCA

The Invasion of Thunderbolt Pagoda

Acid Mothers Temple

Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’

Kill Your Timid Notion 03
A gloomy pond with dark rushes reflect a grey light. A pink lens flare
24 November 2019
Tramway

aspects caught in the headspace we’re in

James Goodwin

Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.

Episode 10: A Means Without End
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
13 October 2006
The Arches

Infest – Hockyfrilla & Muscletusk

Hockyfrilla Muscletusk

Ex-Decaer Pinga and CKDH rodeo queens; regular ladynoise hoedown gets gatecrashed by sonic chunder-huffing remedial clatter boys.

INSTAL 06
Publicity image of a man with blood coming from his ear
9 December 2001
The Arches

INSTAL 01

The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.

arika_ep7_IMG_6458
19 April 2015
Tramway

TLRS

Laurence Rassel Terre Thaemlitz

The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.

Episode 7: We Can’t Live Without Our Lives
A film still of a set of a living room filled with pictures and a couple
18 October 2003
DCA

Corpus Callosum

Michael Snow

Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.

Kill Your Timid Notion 03
A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
Portrait of Geni Núñez smiling wearing a red robe with a red orange wall behind.
14 November 2024
Tramway Live Stream

Against a monoculture of thought

Geni Núñez Amilcar Packer

Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.

Episode 11: To End the World As We Know It
Kazuo Imai playing an acoustic guitar on stage at MLFC 05
21 May 2005
The Sage Gateshead

Kazuo Imai

Kazuo Imai

One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.

Music Lover’s Field Companion 05
Instal 03 publicity flyer
23 November 2003
The Arches

INSTAL 03

INSTAL’s third outing saw performances by AMM, Cosmos (Sachiko M & Ami Yoshida), Voreboms, Vibracathedral Orchestra with Matthew Bower and John Godbert, Paragon Ensemble, Merzbow and Ryoji Ikeda.

White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
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