
Sean Meehan
Sean Meehan
Percussion used to explore the social construction of space
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Percussion used to explore the social construction of space
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.
A performance of Ueinzz’s new play. Each Ueinzz performance is a process of reinvention, between exhaustion and a fleeting vision: singular, collective, anonymous, plural, suspensive, intensive, unworking life.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.