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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (720)

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14 October 2006
The Arches

Infest – Birds of Delay & Nackt Insecten

Birds of Delay Nackt Insecten

Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.

INSTAL 06
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Tony conrad bowing a violin in the foreground, Keiji Haino singing behind
14 October 2006
The Arches

Keiji Haino & Tony Conrad

Keiji Haino Tony Conrad

Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.

INSTAL 06
A woman looks towards the camera from the a low angle, there are trees behind
19 April 2015
Tramway

Standing in the Flesh

Hortense J. Spillers

In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?

Episode 7: We Can’t Live Without Our Lives
Three slashes of colour in a black film frame, blues, pinks, reds
19 February 2006
DCA

Film Programme 3: Retro

Various Artists

Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.

Kill Your Timid Notion 06
Two people with headphones listen to items in an installation at a large table
14 November 2010
Tramway

Temporary Outpost for an Auditory Gesture

Brandon LaBelle

Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.

INSTAL 10
Image with the word: Rhomboi
9 December 2001
The Arches

Rhomboi

Rhomboi

Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.

INSTAL 01
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
Man in a dressing gown and foundation sits on a beige sofa
13 November 2010
Tramway

Iain Campbell

Iain Campbell F-W

A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).

INSTAL 10
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Sachiko M & Ami Yoshida performing at INSTAL 03
23 November 2003
The Arches

Cosmos

Ami Yoshida Sachiko M

Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.

INSTAL 03
Working on Transfeminism
Residency, May–July 2021

Trans Femme Futures

Mijke van der Drift Nat Raha

Nat Raha and Mijke van der Drift undertake two intensive writing residencies at Scottish Sculpture Workshop in Lumsden and Hospitalfield in Arbroath.

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