Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.
Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.
Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
