Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.
A public gathering that brings together local artists, musicians, activists, and community organisers.
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.
Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
