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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Kazuo Imai playing an acoustic guitar on stage at MLFC 05
21 May 2005
The Sage Gateshead

Kazuo Imai

Kazuo Imai

One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.

Music Lover’s Field Companion 05
Two frames from a 16mm film with blocks of red, green, pink and yellow
11 December 2004
DCA

Film Programme 1: Charlemagne Palestine

Charlemagne Palestine

This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.

Kill Your Timid Notion 04
Daniel Carter sitting backstage at MLFC 07
13 May 2007
The Sage Gateshead

Talk Hosted by Byron Coley

Byron Coley Daniel Carter Sabir Mateen

Free-jazz chat with Sabir Mateen, Daniel Cater, Andrew Barker – hosted by Byron Coley.

Music Lover’s Field Companion 07
A large industrial fan is backlit
21 April 2013
Tramway

Unfree Improvisation / Compulsive Freedom

Mattin Ray Brassier

How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?

Episode 4: Freedom is a Constant Struggle
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
12 October 2005
The Universal

Stalled at Universal – Kylie Minoise

Kylie Minoise

Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.

INSTAL 05
Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
Lutz Becker reads a text, seated cross legged on a platform, against a blank wal
20 January 2012
CCA

Kino Beleske (Film Notes)

Lutz Becker

Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.

Episode 1: A Film is a Statement
Ali Robertson Hunches over a table with lots of small metal objects on it
21 March 2009
The Arches

Free-form hook up

Ali Robertson Euan Currie Fritz Welch

Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.

INSTAL 09
a newspaper clipping of a drawing of a donkey, side on
29 November 2008
BFI Southbank CCA Arnolfini

Word Associations

Various Artists Guy Sherwin John Smith

A programme of discontinuity between narration, text and image. Including Manual Saiz’s employment of John Malkovich’s Spanish dubbing double and Peter Rose’s absurdly hilarious concrete poetry subtitling chaos.

Kill Your Timid Notion on Tour
A bare chested man with a bandana of their face writhes on a floor with a torch
16 February 2008
Stereo

KMVSNI

KMVSNI

Kylie Minoise Vs Nackt Insecten feedback/ vocal physical threat ‘vs’ ecstatic electronic cloudbursts

INSTAL 08
Dancer dressed in white, reaching, stretching back, legs and arms outstretched
13 April 2019
Performance Space New York

Nearly Sighted/unearthing the dark

Kayla Hamilton

Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.

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