
Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Politicised fan-fiction chronicling working class gay urban space and fantasy.
We’ll be looking at reframing trauma, how we might understand trauma in the bodymindsoul, taking a look at the physiology of trauma, forms of trauma, and at ways to mitigate and heal trauma.
Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.
The reknowned artist Kjell Bjørgeengen works collaboratively with innovative musicians to make complex installations. Channels of flickering light are produced in response to and from sound.
Performances of compositions by Jean-Luc Guionnet and others, with Julia Letitia Scott, Iain Campbell F-W, Neil Davidson, Fritz Welch, Liene Rozite, Emilia Beatriz.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.