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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A metallic form projected on a screen
29 November 2008
BFI IMAX Spike Island CCA BFI Southbank ICA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.

Kill Your Timid Notion on Tour
Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
silver and brown design like 16mm film strips with text - Kill Your Timid Notion
9 October – 29 November 2008
DCA

Kill Your Timid Notion 08

Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.

Matthew Saladin Adjusts a movement sensor in Tramway's studio space
14 November 2010
Tramway

Noises Off

Matthieu Saladin

A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.

INSTAL 10
A man in front of a multi layered projection, a sign saying 'the end'
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Andrew Lampert

Andrew Lampert

Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.

Kill Your Timid Notion on Tour
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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