
Wadada Leo Smith
Wadada Leo Smith
A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.
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A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Guitar solo where inscrutable, minute electric sounds are excavated by palms that smother and strangle, that wring sound from the fretboard, from behind the bridge.
What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?
Imagery, drawn from what seems like hundreds of different films is overlaid and combined in a promissory rainbow of new meanings and impossible scenarios, with the unsettling feel of daylight shadows.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?