Vorticity in the Eternal Hum
Alexander Moll Jackie Wang
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
A cast of pioneering spirits over an expanded three day festival including Jandek (one year on from his first ever show at INSTAL 04), JO-JO, Tetuzi Akiyama,Tom Bruno, Pauline Oliveros, a legendary Hijokaiden performance and Henri Chopin.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?