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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Video Interview, Nov 2024

To Give Up This World, To Have Many Others – In Conversation with Ailton Krenak

Ailton Krenak (by video) Denise Ferreira da Silva Amilcar Packer

A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.

Episode 11: To End the World As We Know It
Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
Yellow swirls on red: Still from Matt Hulse Film: See Noise Hear Light - Friday
13 October 2006
The Arches

See Noise Hear Light Friday

Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan

Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
Tetsuo Kogawa peers at several small radios as he manipulates the aerial of one
21 March 2009
The Arches

Tetsuo Kogawa

Tetsuo Kogawa

Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.

INSTAL 09
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

A glass spilling over with milk sat on a table
28 February 2010
DCA

Semiotics of the Kitchen & To Pour Milk into a Glass

David Lamelas Martha Rosler

Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.

Kill Your Timid Notion 10
A man looks through camcorder viewfinder in the reflection in a mirror
21 February 2010
DCA

Hotel Diaries 1-8

John Smith

These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).

Kill Your Timid Notion 10
Disco lights on festoons on a wall
17 November 2017
Kinning Park Complex

Party & Unity Fundraiser

DJ D-Harsh Dj@Christelle Moor Mother Nena Etza

Social and party with all proceeds going to the Unity Centre, featuring DJ SETS with Dj@Christelle, DJ D-Harsh, Nena Etza & Moor Mother.

Episode 9: Other Worlds Already Exist
Exias J playing guitars and double bass on stage at INSTAL 04
17 October 2004
The Arches

Exias-J

Exias-J

The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.

INSTAL 04
Music Lover's Field Companion 07 publicity flyer
10 – 13 May 2007
The Sage Gateshead

Music Lover’s Field Companion 07

A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.

A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening