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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Tim Goldie wearing sunglasses and hat holds his hands over his ears, tongue out
12 November 2010
Tramway

Tim Goldie

Tim Goldie

Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.

INSTAL 10
Dancer dressed in white, reaching, stretching back, legs and arms outstretched
13 April 2019
Performance Space New York

Nearly Sighted/unearthing the dark

Kayla Hamilton

Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.

I wanna be with you everywhere
a man playing drums behind a woman playing a pedal steel guitar
14 October 2005
The Arches

Jandek

Jandek

Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.

INSTAL 05
arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
Four folks sit around a table looking out of frame to someone asking a question
20 April 2013
Tramway

The Experiment: Pt. 2

Amiri Baraka Fred Moten Sonia Sanchez Wadada Leo Smith

How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?

Episode 4: Freedom is a Constant Struggle
A Special Form of Darkness Poster Graphic
24 – 26 February 2012
Tramway

Episode 2: A Special Form of Darkness

A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?

Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
A person in a flesh coloured catsuit, bends into a crab shape
24 May 2013
Tramway

(M)IMOSA | Twenty Looks or Paris is Burning at The Judson Church (M)

Cecilia Bengolea François Chaignaud Marlene Monteiro Freitas Trajal Harrell

What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?

Episode 5: Hidden in Plain Sight
13 October 2006
The Arches

Infest – Kylie Minoise

Kylie Minoise

Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.

INSTAL 06
21 March 2009
CCA

Encuentro Glasgow

Ultra-red

A public gathering that brings together local artists, musicians, activists, and community organisers.

INSTAL 09
7 April 2025

Week Five: Mental Health/ Moving Beyond

Lisa Fannen Sapna Agarwal

We’ll look at the language and politics of what gets ‘mental health’ and consider more holistic understandings of experiences that honour the connection between mind/body/soul, and that acknowledge social and political context.

In Our Hands 2025
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